breguet pocket watch replica In 2004, Nicolas G. Hayek challenged Breguet’s watchmakers to build an exact replica of this breathtaking pocket watch. Recreating so many complications solely with the help of ancient . Une gamme complète de malt riche en saveurs. Notre gamme diversifiée de produits fait honneur au métier, à la créativité et à l’éventail de produits des brasseurs et distillateurs d’aujourd’hui.
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That photo above is me holding Breguet's Marie Antoinette Number 1160, a 63mm pocket watch crafted from gold, and one of the world’s .In 2004, Nicolas G. Hayek challenged Breguet’s watchmakers to build an exact replica of this breathtaking pocket watch. Recreating so many complications solely with the help of ancient . He then decided to produce a replica of the original entirely based on written descriptions and drawings made during the pocket watch’s design and construction. . The 1160 pocket watch was made as a replica of the original 160 pocket watch produced by Breguet in the 18 th and 19 th century, originally ordered for Marie Antoinette in .
Work began on the replica which would be known as the Breguet Grand Complication Ref. 1160 Pocket Watch in 2005. Using only diagrams, pictures, and written descriptions of the original Marie Antoinette watch, .
IN the annals of watchmaking, Abraham-Louis Breguet’s pocket watch No. 160 Grande Complication or simply “Perpétuelle” (fig. 1) has attained mythical status. Commonly known as the “Marie-Antoinette” or “The Queen”, it was designed by Breguet as the result of a commission. That photo above is me holding Breguet's Marie Antoinette Number 1160, a 63mm pocket watch crafted from gold, and one of the world’s most complicated pocket watches. Technically, it's a replica of a watch made in 1783 that we thought was lost to history, until its miraculous recovery in 2007.In 2004, Nicolas G. Hayek challenged Breguet’s watchmakers to build an exact replica of this breathtaking pocket watch. Recreating so many complications solely with the help of ancient documents proved a real challenge for the firm’s technicians and watchmakers.
He then decided to produce a replica of the original entirely based on written descriptions and drawings made during the pocket watch’s design and construction. Reproducing the 160 pocket watch into what became the Breguet 1160 Marie Antoinette using only visual and written aids is one of the least discussed achievements in modern watchmaking.
The 1160 pocket watch was made as a replica of the original 160 pocket watch produced by Breguet in the 18 th and 19 th century, originally ordered for Marie Antoinette in 1783 (lots more background information in the above-linked articles). Work began on the replica which would be known as the Breguet Grand Complication Ref. 1160 Pocket Watch in 2005. Using only diagrams, pictures, and written descriptions of the original Marie Antoinette watch, Breguet embarked on the ambitious task of recreating a legend. Known as the ref. 1890, the pocket watch is a replica of several nearly identical perpetuelle pocket watches Abraham-Louis Breguet produced from the late 18th century onwards. The best known is pocket watch no. 5, sold in 1794 to a French nobleman and often exhibited by the Breguet Museum today. (Replica of the original pocket watch). Image courtesy of Breguet SA In 2004 prior to the resurfacing of the original, Nicolas G. Hayek set Breguet’s watchmakers to build an exact replica of the original.
Breguet’s Marie Antoinette pocket watch. Marie Antoinette No. 1160 replica pocket watch. ad. . Case: 56.5 x 21.95 mm, yellow gold. Dial: silvered gold, hand-applied guilloche. Movement: manually wound Caliber 508GS with one-minute tourbillon and 65 hours of power reserve; 2.5 Hz frequency. Functions: regulator-style hours (subdial) and minutes (sweep); minute repeater with grande sonnerie.IN the annals of watchmaking, Abraham-Louis Breguet’s pocket watch No. 160 Grande Complication or simply “Perpétuelle” (fig. 1) has attained mythical status. Commonly known as the “Marie-Antoinette” or “The Queen”, it was designed by Breguet as the result of a commission. That photo above is me holding Breguet's Marie Antoinette Number 1160, a 63mm pocket watch crafted from gold, and one of the world’s most complicated pocket watches. Technically, it's a replica of a watch made in 1783 that we thought was lost to history, until its miraculous recovery in 2007.
In 2004, Nicolas G. Hayek challenged Breguet’s watchmakers to build an exact replica of this breathtaking pocket watch. Recreating so many complications solely with the help of ancient documents proved a real challenge for the firm’s technicians and watchmakers.
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He then decided to produce a replica of the original entirely based on written descriptions and drawings made during the pocket watch’s design and construction. Reproducing the 160 pocket watch into what became the Breguet 1160 Marie Antoinette using only visual and written aids is one of the least discussed achievements in modern watchmaking.
The 1160 pocket watch was made as a replica of the original 160 pocket watch produced by Breguet in the 18 th and 19 th century, originally ordered for Marie Antoinette in 1783 (lots more background information in the above-linked articles).
Work began on the replica which would be known as the Breguet Grand Complication Ref. 1160 Pocket Watch in 2005. Using only diagrams, pictures, and written descriptions of the original Marie Antoinette watch, Breguet embarked on the ambitious task of recreating a legend.
Known as the ref. 1890, the pocket watch is a replica of several nearly identical perpetuelle pocket watches Abraham-Louis Breguet produced from the late 18th century onwards. The best known is pocket watch no. 5, sold in 1794 to a French nobleman and often exhibited by the Breguet Museum today.
(Replica of the original pocket watch). Image courtesy of Breguet SA In 2004 prior to the resurfacing of the original, Nicolas G. Hayek set Breguet’s watchmakers to build an exact replica of the original. Breguet’s Marie Antoinette pocket watch. Marie Antoinette No. 1160 replica pocket watch. ad. .
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